Hanover Talk: Biomorphic Horror

Philosophical posthumanisms oppose anthropocentrism – the presumption that reality must be thought about from a human perspective. But what remains of embodiment in post-anthropocentric thought? Should it retain a place for the body or the aesthetic as distinctive ways of encountering reality? If not, how can it adequately describe of our ‘posthuman predicament’ as bodies […]

Experiments in Unliving: Biomorphism and the Insufficiency of Philosophy

This is the third, possibly the last, of an informal series of posts considering the relationship between unbound posthumanism and the Non-Philosophy of François Laruelle. Here, rather than vaingloriously attempting to criticize Laruelle’s work, I simply attempt to note some contrasts and affinities. To summarise: the positions or projects are akin insofar as they question the […]

Against Non-Philosophical Humanism

  My account of unbound posthumanism (See Roden 2018 and here) draws some  methodological inspiration from François Laruelle’s Non-Philosophy, though its point of departure and orientation is distinct. For Laruelle, all philosophies are like hallucinations that hallucinate their reality or truth (Laruelle 2011, 16). This principle of ‘philosophical sufficiency’ guarantees that whatever scheme for carving […]

Disappearance and Assembly – extract

Meshes Of The Afternoon (Maya Deren, 1943) from SeriousFeather on Vimeo. It is easier to believe nobody built the chambers of the bone matrix; that it incremented like coral. This degradable substrate with a small body encysted like an unsung astronaut. Can we say there was no stopping it? The condition did not apply. The […]

Predictive Coding and Brassier’s Freedom

I’m currently revisiting earlier work on Brassier’s (20b13a) short text on improvisation with a view to using the Predictive Coding (PC) account of cognition and agency as framework for understanding the role of improvisation and similar performance in our cognitive economy. The key take home that paper, I think, is its picture of a not-necessarily-human […]