Fragment on Biomorphic Posthumanism

  Biomorphs are always speculative or ‘critical bodies’, experiments in unliving. Posthumanism, unbound, provides a speculative deployment of life without limiting it with any vitalist distinction between life and matter or mechanism. It is a conceptual abattoir. Perhaps, some will remark that my use of ‘speculation’ here is disturbingly reminiscent of its financial sense. Perhaps […]

Note on the Aesthetics of Self-Harm

“I’m tortured by the feeling of drowning. Under you, under society, politics, the decay of nature, my lack of interest, and I feel desperate,” Puce Mary (AKA Copenhagen-based artist Frederikke Hoffmeier) is one of the ‘noise’ artists I’ve been listening too increasingly over the last few years (These also include the SF based avant-garde veterans […]

Hanover Talk: Biomorphic Horror

Philosophical posthumanisms oppose anthropocentrism – the presumption that reality must be thought about from a human perspective. But what remains of embodiment in post-anthropocentric thought? Should it retain a place for the body or the aesthetic as distinctive ways of encountering reality? If not, how can it adequately describe of our ‘posthuman predicament’ as bodies […]

The Biomorphic Horror of Everyday Life

This paper has been written for the Philosophy, Art and Society: Body as Medium event in the Watershed Media Center, Bristol June 16 2018 It explores the idea of the ‘biomorph’ as a perverse ‘non-philosophical’ solution to the aporias of speculative posthumanism through the work of J G Ballard, Hans Bellmer and Gary J Shipley. […]

Bellmer in Doll Space: A Note

Perversion defers all conceptual or affective satisfaction; proliferating desire in ways that cannot answer to any settled ecology or ethics. Hans Bellmer’s dolls afford a kind of plastic algorithm for this infinite potentiation  – in particular his celebrated second doll, equipped with its articulating ball joint. In one of the texts from his 1934 book […]