This piece features samples from a recent lecture by Iain Hamilton Grant, Senior Lecturer in Philosophy at UWE, which beautifully interlaces the Platonic analogy of the sun with the ideas of a powers ontology – ‘You cannot separate this power from the entity. Being is power’ – while taking his students on a virtual walking […]
Dead Professor Oblivion wets his thin moustache.Orange jump-suits daub Rosa with an invitation of fish paste.The python’s tail undulates to Bukkake rhythmsas does the jungle girl/vore legend Her soused head dangles from the eyeless abomination.I watch all this in public seance.Glad to conform. after ghost porn deletionNarcissus hires surgeons to make him art pâtisserie.He is […]
Here’s a playlist of music I created using Ableton Live 10 Suite and assorted virtual instruments (Native Instruments FM8 and Massive synths, Komplete as well as a probabilistic drum machine knocked up in the Max4Live Programming Environment). Styles range from electro metal/core to industrial/ambient noise.
Alexander Wilson’s paper ‘What Aesthetics Tells us About Posthumans’ (WA) provides a synopsis of a challenging account of aesthetics developed at greater length in his new book Aesthesis and Perceptronium (AP). This is nothing less than an aesthetics generalized beyond the human phenomenology cited in philosophies of aesthetic judgement. I’m currently working through AP, so […]
The Red Desert’ assembles in layers: loping bass alternates between octaves, raspy continuants top and bottom of the register, randomized clicks over a percussive loop; a susurrus of far off industry, or a cataract softened. A woman’s voice, calmly narrates the indices of her decline in barely accented Danish English: I find myself feeling like […]
The ontological question: What is sound? is typically inflected in a Platonic fashion. It asks after the unitary nature of audibilia. Main Kinds of Auditory Ontology Proximal – sounds are private, non-representational sensations or qualia Medial – ‘sounds are compressive waves in an elastic medium’ (Locke) Locative – sounds are ‘found where they are heard’ […]
My article ‘Promethean and Posthuman Freedom: Brassier on Improvisation and Time’ is out now in Volume 4, Issue 2 of the open-source journal Performance Philosophy. Html and pdf versions are available from the abstract page here
“I’m tortured by the feeling of drowning. Under you, under society, politics, the decay of nature, my lack of interest, and I feel desperate,” Puce Mary (AKA Copenhagen-based artist Frederikke Hoffmeier) is one of the ‘noise’ artists I’ve been listening too increasingly over the last few years (These also include the SF based avant-garde veterans […]
I’m currently revisiting earlier work on Brassier’s (20b13a) short text on improvisation with a view to using the Predictive Coding (PC) account of cognition and agency as framework for understanding the role of improvisation and similar performance in our cognitive economy. The key take home that paper, I think, is its picture of a not-necessarily-human […]
A dazzling musical onomatopoeia from one of the best young composers out there.