My article ‘Promethean and Posthuman Freedom: Brassier on Improvisation and Time’ is out now in Volume 4, Issue 2 of the open-source journal Performance Philosophy. Html and pdf versions are available from the abstract page here
Ironic, but one of the most intimate actsof our body is death.So beautiful appeared my death – knowing who then I would kiss,I died a thousand times before I died.‘Die before you die,’ said the Prophet Muhammad.Have wings that feared ever touched the Sun?I was born when all I once feared – I could love. […]
I’m currently revisiting earlier work on Brassier’s (20b13a) short text on improvisation with a view to using the Predictive Coding (PC) account of cognition and agency as framework for understanding the role of improvisation and similar performance in our cognitive economy. The key take home that paper, I think, is its picture of a not-necessarily-human […]
Originally posted on Toy Philosophy:
Last year, I was asked by friends to distill the thesis of the labor of the inhuman in two or three pages. This post is the product of my attempt at capturing the main points. I should add that I have now some critical objections about this piece but that…
Excess, Machine, Culture: Three Plateaus on Noise Aesthetics https://deterritorialinvestigations.wordpress.com/2014/05/09/excess-machine-culture-three-plateaus-on-noise-aesthetics/
I thought you had had yourself whipped again by the Rigger. This time the arabesque of scars seamed over vesicles of doll parts in milky transport. You do not know what freedom would be, at the limit. Its questions are very strict. For now, you suppose there will be proprieties, symbolic alloys, isomorphs. There’s a […]
David Roden – The Noise of the Future: Against Posthuman Ethics from Sonic Acts on Vimeo. A bit Dalek like from a hard night bopping in the Paradiso club, but I remain standing and more or less self-aware throughout. The paper considers Ballard, Brassier and Cronenberg in the light of posthuman theory.