Meshes Of The Afternoon (Maya Deren, 1943) from SeriousFeather on Vimeo. It is easier to believe nobody built the chambers of the bone matrix; that it incremented like coral. This degradable substrate with a small body encysted like an unsung astronaut. Can we say there was no stopping it? The condition did not apply. The […]
I’ve been thinking through the relationship between a maximally Unbounded Posthumanism that relinquishes any constraints on what subjects, worlds or agents are or ought to be and artistic production by considering its analogs in contemporary French thought: particularly the work of Badiou and Laruelle (See also Roden 2018). One way in which Unbound Posthumanism can […]
This paper has been written for the Philosophy, Art and Society: Body as Medium event in the Watershed Media Center, Bristol June 16 2018 It explores the idea of the ‘biomorph’ as a perverse ‘non-philosophical’ solution to the aporias of speculative posthumanism through the work of J G Ballard, Hans Bellmer and Gary J Shipley. […]
Disconnection Speculative posthumanism (SP) is concerned with the prospect of a posthuman reality emerging from the technological alteration of the human one. This technological focus comports with a general concern with human-made futures that don’t include us. Outside fiction, our moral concern for a nonhuman future is prompted by the theorised potential of technology to […]
Poster presented at 1st Workshop on Philosophy of Human+Computer Music Royal Musical Association Music Philosophy Study Group workshop on philosophy of human+computer music, 4 July 2014.
This lucid discussion of the splendours and miseries of accelerationism with Ben Noys, Nina Power and Andy Beckett is one of a set of primers on the concept which includes Beckett’s recent Guardian piece and an excellent “quick and dirty” guide from Nick Land over at Jacobite. If I’ve a criticism of the former pieces, it’s that […]
This is sweet. Michael Flora of Nada, an imprint for “subversive musics and sound works.” has informed me of this release: Hyperplastic Other by Seattle-based computer musician R.M. Francis. It’s influenced by an eponymous critter discussed in my paper “Dark Posthumanism: the weird template.“, among other places. It’s available as a high-quality download from bandcamp or in a […]