Framing and the Ontology of the Art Work: Kendall Walton and Jacques Derrida

In his 1977 paper “Categories of Art” Kendall Walton argues that aesthetic categories like “piano music” or “bust” determine how an audience ascribes aesthetic significance to the non-aesthetic properties of the work such as their shape, matter or sound. Walton calls the perceptible properties that determine whether it belongs to a given category of artwork […]

A Post-Sellarsian Encounter

  Modern philosophical aesthetics has been concerned with the special field of art and artistic expression, but always with a view to its implications for our understanding of sensation, emotion and their relationship to the wider field of conceptual thinking and knowledge.  The wider and the special inquiries intertwine because art is thought to be […]

Reality Chunking: Review of DeLanda’s Philosophy and Simulation

Originally, written at the request of Deleuze Studies, who seem to have forgotten they asked somewhere along the way. Not to worry, it’s a great opportunity to show off this photo of a magnificent cumulonimbus (Thanks, by the way, to Craig Hickman for identifying said cloud). ********************************************************************* DeLanda, Manuel (2011), Philosophy and Simulation: The Emergence of Synthetic […]

Françoise Balibar: Nature is Only There Once

Françoise Balibar, Professor Emeritus of physics at the Université Denis Diderot, Paris VII gave a wonderful keynote on final day of the Philosophy After Nature conference in Utrecht whose title was drawn from Ernst Mach’s aphorism Die Natur ist nur einmal da (Nature is there only once). Here she discussed the philosophical implications of failures of univocity […]