Necroconceptuality in Gary Shipley’s Warewolff

  Gary Shipley’s work is often compared to Ballard for its single-minded estrangement of sense. Yet it refuses even more, the satisfactions of setting and psychology. It is sometimes marketed as ‘concept horror’ – which is accurate insofar as it is the concept which does most of the hurting here – remarked, disjointed, its grammatical […]