Necroconceptuality in Gary Shipley’s Warewolff

  Gary Shipley’s experimental novel, Warewolff has been marketed as horror (or ‘concept horror’) and duly comes with a brief first person prologue redolent of the opening of Lovecraft’s ‘The Call of Cthulhu’, in which narrator claims that what we are about to read are reliable transcripts documenting the effects of a vast, unthinkably alien, […]