Alexander Wilson on Nonhuman Aesthetics and Disconnection

Alexander Wilson’s  paper ‘What Aesthetics Tells us About Posthumans’ (WA)  provides a synopsis of a challenging account of aesthetics developed at greater length in his new book Aesthesis and Perceptronium (AP). This is nothing less than an aesthetics generalized beyond the human phenomenology cited in philosophies of aesthetic judgement. I’m currently working through AP, so […]

Hanover Talk: Biomorphic Horror

Philosophical posthumanisms oppose anthropocentrism – the presumption that reality must be thought about from a human perspective. But what remains of embodiment in post-anthropocentric thought? Should it retain a place for the body or the aesthetic as distinctive ways of encountering reality? If not, how can it adequately describe of our ‘posthuman predicament’ as bodies […]

Disappearance and Assembly – extract

‘Disappearance and Assembly’ is now published open access in Springer’s Nanoethics journal as part of the BrisSynBio Art-Science Dossier   Meshes Of The Afternoon (Maya Deren, 1943) from SeriousFeather on Vimeo. It is easy to believe nobody built this degradable substrate with that small figurine encysted within, an unsung astronaut, that the condition did not […]

The Doll Hospital: Between Laruelle and Badiou, Vitalism and Anti-Vitalism

I’ve been thinking through the relationship between a maximally Unbounded Posthumanism that relinquishes any constraints on what subjects, worlds or agents are or ought to be and artistic production by considering its analogs in contemporary French thought: particularly the work of Badiou and Laruelle (See also Roden 2018). One way in which Unbound Posthumanism can […]

The Biomorphic Horror of Everyday Life

This paper has been written for the Philosophy, Art and Society: Body as Medium event in the Watershed Media Center, Bristol June 16 2018 It explores the idea of the ‘biomorph’ as a perverse ‘non-philosophical’ solution to the aporias of speculative posthumanism through the work of J G Ballard, Hans Bellmer and Gary J Shipley. […]