Aesthetic Excess: Ballard and Stelarc

Radical art defies and transforms collective modes of understanding. Wagner’s famous “Tristan chord” segues between classical harmony, late romanticism and twentieth century atonality due to its ambiguous relationship to its tonal context. The aesthetic value of Xenakis’ Concret Ph lies partly in the technological potentials realized subsequently in granular synthesis techniques which employ global statistical […]

Braidotti's Vital Posthumanism

Critical Posthumanists argue that the idea of a universal human nature has lost its capacity to support our moral and epistemological commitments. The sources of this loss of foundational status are multiple according to writers like Donna Haraway, Katherine Hayles (1999), Neil Badmington (2003), Claire Colebrook and Rosi Braidotti. They include post-Darwinian naturalizations of life […]

The Condition of the Digital Image

There’s a very interesting and instructive conversation between Daniel Rourke and new media artist Hito Steyerl at Rhizome. Reading Steyerl’s remarks on Renais’ and Marker’s migration from Celluloid to Web I imagined them  evoking perplexity and amusement in cold degenerate matter storage long after the death of our sun.