Abstract (accepted) for the forthcoming Tuning Speculations in Toronto this November –
Angel Spike -The Politics of Advanced Noncompliance
The modernist and Promethean projects are self-undermining. The systematic complexity of modern technique precludes binding it to norms or projects. The methods of compliance are noncompliant, disseminative, mutable. Since it rejects givens, purposes and identities there are no constraints on reordering nature. It becomes maximally manipulable and thus “hyperplastic”. Accordingly, it terminates the very normativity we hoped might inure us against the real. At the threshold of the dark posthuman, it seems we are condemned to be improvisers and febrile self-killers – whoever, whatever “we” are – as overkill tech dissipates informational structure into Crash space; as “divaricating agencies rip into the substrate of the real” This is the Red Tower burn.
AS-PANC proposes to explore this post-human, post-normative prospectus by interleaving theory and metafiction in the manner of my earlier piece for Dis Mag “Letters from the Ocean Terminus”. The ghosts of Antonioni, Marker, Ballard, Ligotti and others will be co-opted as a modulation source for a virtual noise generator, shattering and escaping the virtual Terrarium.
For a while, we dreamed of death and thought ourselves our own screw ups. As if either is an option when the music of the Angel Spike abreacts melanomas beneath our skins. These auditory cancers are its notational variants.
You call them an “argument”.
We concealed our condition at first. But something in you felt compelled to shout it with a bloody vehemence. “This”, you tell us, “is the truth of the Cthulhoid inversion; of damned Prometheus”.