I’m delighted to see the publication of my theory-fiction “Letters from the Ocean Terminus” in an issue of Dis Magazine on the ‘postcontemporary‘ edited by Suhail Malik and Armen Avenessian.
Its overarching theme is time and art in a globalised order whose stability is undermined by systems for pre-empting its futures. “Letters” blends science fiction and philosophical commentary to imagine a febrile agent at home in this speculative present; one that refashions itself by mining uncanny posthuman futures. Or as I’ve tagged it there “a series of overlapping fragments from disruptive futures; a theory-fiction that explores routes out of the present as aberrant transformations and terraforming desires.”
I must say that I’m blown away by the images of Christopher Kulendran Thomas and Annika Kuhlman. Combining media is a delicate matter, but their work slyly complements the text rather than seeking to replicate its effects. Well, suck it and see.
Perverse as it may seem, this is the kind of “dermographism” that drew me back into academia in the first place. The piece was caked in my blood and guts, but I’m satisfied enough with the result to want to offer up a few more pints of the good stuff.