A provisional abstract for my presentation at the Questioning Aesthetics Symposium in Dublin, 12-13 May,
Speculative Posthumanism (SP) claims that there could be posthumans: that is, powerful nonhuman agents arising through some technological process. In Posthuman Life, I buttress SP with a series of philosophical negations whose effect is to leave us in the dark about these historical successors (Roden 2014). In consequence, SP confounds us in moral and epistemic darkness. We lack rules specifying the nature of the posthuman or how to recognise it. We do not know what we are becoming; and lack any assurance that our moral conceptions can travel into the future(s) we are complicit in producing.
I argue that the void delineated by speculative posthumanism implies that aesthetics is the first philosophy of the value domain, for it forces us to judge itineraries in posthuman possibility space without criteria. Art practices that engage with technological change thus supply a political model for pursuing and organizing trajectories into the future: one distancing us from any current conception of the good or any normative appeal to universality. This estrangement or abstraction, I will claim, does not express a postmodern ethics of transgression or “transvaluation” but falls out of the ontological structure of planetary technical networks.
Roden, David. (2012), “The Disconnection Thesis”. In A. Eden, J. Søraker, J. Moor & E. Steinhart (eds), The Singularity Hypothesis: A Scientific and Philosophical Assessment, London: Springer.
Roden, David (2013), “Nature’s Dark Domain: An Argument for a Naturalised Phenomenology”. Royal Institute of Philosophy Supplements 72: 169–88.
Roden, David (2014), Posthuman Life: Philosophy at the Edge of the Human. London: Routledge.
Roden (forthcoming), ‘On Reason and Spectral Machines: an Anti-Normativist Response to Bounded Posthumanism’. To appear in Philosophy After Nature edited by Rosie Braidotti and Rick Dolphijn.